Publications
Infrastructural Architectures: Land [Dis]Trust, 2024
Arizona State University – The Center for Philosophical Technologies (CPT)
Tyson Lewis and Nasrin Tork, [Eds.]
Techniques Journal
DEEP.FAKE.BLACKNESS., 2024
Pratt Institute
Karen Kelly, Shannon Ebner, Barbara Schroeder, [Eds.]
Pounds Per Image [PPI]
Dark Infrastructure – Computation Drawings, 2023
The City Talks
The City Talks Project Team
Online Gallery
Volumetric Black: Post-Cinematic Blackness, 2022
Materializing Digital Futures: Touch, Movement, Vision and Sound
Toija Cinque and Jordan Beth Vincent, [Eds.]
Bloomsbury
ReMapping RGB Light to Foreign Bodies, 2020
CURRENTS New Media – Virtual Festival
Online Festival Presentations
Volumetric Black, 2019
City University of Hong Kong
International Symposium on Computational Media Art
Conference Proceedings
Press
Across Generations: The Art of RISD Graduates
D. Dominick Lombardi
Exhibition Review: Coloured.Aesthetica.
New Art Examiner
The Camera Is Like a Scalpel
Triton Mobley Interviewed by Patrick Harrison
Art that critically disassembles the technical imaging of Blackness.
BOMB Magazine
Keloid Archives
Solo Exhibition by Triton Mobley
Soloway Gallery
ARTFORUM | ARTGUIDE [MUST SEE]
Triton Mobley: Keloid Archives
Your Concise New York Art Guide for November 2022
Soloway Gallery
HYPERALLERGIC
Keloid Archives
Solo Exhibition Curated by Melissa Joseph
Soloway Gallery
RISD — ALUMNI
Crisis of Image
Group Exhibition Review by Mark Jenkins
Museum of Contemporary Art Arlington
The Washington Post